Archive for April, 2010

Glorious music, exquisite voices, passionate dances and a set that almost stole the show

April 25th, 2010

The 33rd Periodical Performance of the Daegu City Opera was a triumph of art. As seems to be the norm with shows in Korea, or perhaps just those I have been lucky enough to attend, this production was big. As well as the Daegu City Opera, the production of G Verdi’s La Traviata showcased the significant talents of the DaeguCity Symphony Orchestra and included contributions from the Daegu City Choir and the Daegu City Modern Dance Troupe.

The story of La Traviata is one of love, loss, honour and tragedy. Violetta, a Parisian courtesan, meets, on her return to society after an illness, an admirer by the name of Alfredo Germont. Although she brushes off his declaration of love, saying that she prefers to a life of freedom, she is touched by his earnestness. Act II finds the two living in pleasant domesticity in a house in the country. When Alfredo discovers that she has sent her maid to sell off her possessions in order to continue financing their love-retreat, he feels ashamed and sets off to make things right at his own cost. While he is away, Violetta is visited by Alfredo’s father, Giorgio Germont who pleads his case, not only for his reckless son but also for Alfredo’s sister whose engagement is threatened by his scandalous affair. Although Violetta proclaims that she cannot relinquish his love, she is eventually convinced and sits down to write a farewell note to Alfredo. While she is writing, he surprises her, but instead of telling him why she is so distraught, she assures him again and again of her love and then leaves. Alfredo is calmly awaiting a visit from his father when a messenger arrives with a letter, the letter from Violetta ending their affair. In his despair, he sends his father, away and, finding an invitation to a ball that evening, decides to meet the woman who has broken his heart. Violetta arrives at the ball with her former companion, the Baron Bouphol, who, after warning her to stay away from Alfredo, challenges Alfredo to play at cards. Alfredo wins the game, claiming that unlucky in love is lucky in cards. As they go in to dinner Violetta asks to speak to Alfredo and warns him that he must leave. In a rage, he accuses her of loving another. She says lies and says that she does. In front of everyone, he throws his winnings at her feet and publicly insults the lady. The party guests rebuke him for his actions and the Baron challenges him to duel. Six months later, the final scene opens in Violetta’s bedroom, where she lies dying of consumption. Outside the crowds are celebrating Mardi Gras but she is broken-hearted. She receives a letter from Giorgio informing her that the Baron was only injured in the duel and Alfredo now knows the truth and is one his way to see her but she frets because he has not yet come. Her heart soars when Alfredo arrives and they declare that they will leave Paris and live together in their love, but it is too late for Violetta, who dies at her true lover’s feet.

The soaring tragedy of Verdi’s music (and the story-line) makes this an Opera packed with emotion, something that the excellent and well-trained voices of the two leads, Lee, Hwa Young (Violetta) and Lee, Hyeon (Alfredo) carried beautifully. At times, their movements were a little excessively dramatic, stumbling with rage or grief, but their operatic performance was passionate and accurate. Perhaps the best interaction, however, was between Lee, Hwa Young (Violetta) and Lee, In Cheol (Giorgio), whose portrayal of a powerful father pleading for this courtesan to release his son was heart-rending yet simultaneously compassionate. In addition to Lee, In Cheol’s great acting, his gorgeous voice was like liquid velvet.

Most of the other voices and performances were equally good, with the possible exception for Gastone who was a little quiet during the first act. The choir that supported the leads, under Chorus Master, Park, Young Ho, was also excellently trained and added depth and richness to the vocal music as well as numbers on stage.

The dancing was a dramatic addition. I thought the decision to use modern dancers in what was otherwise a fairly classical operatic performance was interesting. It also complemented the set, which I will get to in the a moment. For the most part, the dancing was a subtle artistic highlight – a brush-stroke emphasizing the other activity on the stage and in the music. In the first act, the dancers added action and lightness to Violetta’s party, for example. In the third act, they were the main attraction at Flora’s ball. Their dramatic movements and intense portrayal gave visual life to the words of the opera. Overall, the dance added the same depth visually that the choir added musically.

All of this added together to create a wonderfully rich and engaging experience. All of it, however, was almost topped by the visual (stage, costume and lighting) design. I include costume and lighting design here because they was very definitely a part of the visual impact but the real star for me was the set by Lim, Chang Joo. Over the years of watching performances, I have seen a variety of approaches to set design. Opera is the theatre genre with which I have probably the least experience, but even within this genre, I have seen different approaches. Both the version of La Rondine I saw in Cape Town and the Madama Butterfly I saw here used large, static sets aimed at creating some sort of realism. The Brunch Opera version of La Rondine I saw here also went for something like realism but this time using just a few props and a very basic backdrop. This La Traviata set used emptiness and minimalism to create a box or, from the audiences perspective, a frame, that seemed to capture and contain the opera’s intense emotion and music and make it even more powerful.

The basic set was a huge, empty white box. In the prelude and first Act, colour was added by a huge red set of steps suspended at the back of the stage, a red wooden horse lowered from the ceiling on a single white pole, on which Violetta sat and was raised up at various points, and a floor-to ceiling pop-art-style portrait that reoccured as a theme throughout the staging. On the left of the stage were five chair-sized 3D letters – A, M, O, U, R. The scene opened with four dancers sitting perfectly still, draped on and around the letters and Violetta standing half way up the staircase in shadow. The dancers wore black dresses with blue scarves and as they came to life and moved silently towards Violetta, added living brush-strokes of colour to create the dramatic visual movement (complemented by excellent lighting design). Violetta’s outfit, however, was completely traditional. As the action proceeded, the letters were used to visually complement the music as Alfredo lifted them and lined them up to spell ‘amour’ as he talked of love and Violetta knocked them back down as she brushed off his declaration.

The letters remained a feature, arranged in various forms through-out the rest of the show. In the second act, the red staircase was gone but the letters remained. The rest of the set included chairs and tables – all white and shaped like steps. There was also a red tricycle with two red balloons tied to the handle-bars and two teddy-bears sitting on the table. During the scene at the ball, the visual drama peaked when the female dancers and choir members, this time with red scarves over their black clothes, rose – in a perfectly still silhouette-style tableaux – from below the stage. The theme of all the costumes in this scene was black and red, capturing the drama. Modern props added an extra edge to the visual presentation, such as a photograph of his daughter handed to Violetta by Giorgio and a modern IV stand in the final scenes.

The set (plus costumes and lighting) was imaginative and modern and as visually dramatic as the opera is musically. The stark backdrop and clear colours (black, white, red, blue) highlighted the words and music and the hard proscenium arch of the white frame separated the audience from the action in a way that somehow encouraged suspension of disbelief. I found myself (and find myself again) wishing I had the vocabulary to accurately describe and think about the effect. As a non-expert, I am struggling to explain it beyond being able to say that it was exceptionally effective and left me wishing I could go back and take pictures analyse it academically to figure out why it made the whole opera more real by not being realistic, how it both contained and magnified the intensity and emotion.

The opera was long. It started shortly after the advertised 4pm – anyone who is a stickler for show punctuality should be prepared to put that aside when attending an Opera in Korea. After many, very much justified curtain calls, we finally left shortly before 7pm. But it was 3 very worthwhile hours. If I had the chance, I would gladly see the show again. This production of La Traviata was both an excellent opera and an exceptional theatre experience. Many people shy away from opera because they don’t understand it or don’t think they will enjoy it but this show has convinced me, more than any other, that anyone who is in Daegu would be making a mistake not to take advantage the opportunity to experience Opera at the Daegu Opera House.

La Traviata was directed by Chung, Kab Gyun and conducted by Diego Crovetti, under the artistic direction of Kim, Sung Bin and executive producer Lee, Jae Jin. It was presented by the Daegu City Opera with the Daegu City Symphony Orchestra and performances by the Daegu City Choir and Daegu City Modern Dance Troupe at the Daegu Opera House 22 to 24 April 2010.

Anticipating Opera

April 24th, 2010

I woke up this morning feeling tingly with anticipation. There was sunshine creeping in my window and blue sky outside, sharpened by the contrast with rolling white clouds around the edges. I am off to the Opera today. I am so excited. I haven’t been to the Opera since I saw Madama Butterfly in December. This is not for lack of trying. There simply haven’t been any performances that I was able to attend since then. So I am excited to see Opera again. Actually, I’m excited to see any theatre. I’m feeling a little art-starved at the moment.

This is, of course, brought sharply into focus by the fact that I now know that I’ll be home in time to see at least a few days of the National Arts Festival in Grahamstown in July. Fest has become (for my mother and me at least) an annual pilgrimage  to several days – a week if we can manage it – of intensive culture and arts immersion. It is the most amazingly stimulating, relaxing, exciting, fulfilling experience. For those who have never experienced Fest, it is a week long  festival of arts and culture, including drama, dance, comedy, visual arts, music of all varieties, cinema, flee markets and street theatre (this year extended to 15 days of AMAZ!NG ). There are nearly 500 different performances, showings and exhibitions in that time. Some of them are funded ‘main’ productions, such as the annual festival ballet – this year Cape Town City Ballet performing Carmen (swoon), the gala and symphony concerts (conducted by Richard Cock – swoon again) plus other musical performances from the likes of Vusi Mahlasela, BLK Sonshine and Samson Diamond (SBYA for music), major theatre productions and developmental student theatre. There is also the Jazz Festival where some of the top jazz artists around (Concord Nkabinde, Sibongile Khumalo, etc., etc.) perform and new talent is showcased. The ‘fringe’ festival has hundreds more shows, some of which will flop completely but many of which are world-class theatre by some of the top performers in the country, who at no other time gather in one place, making Fest the only opportunity to see them all in action in just 15 days. Physical theatre, live music, dance, drama, plenty of comedy and the usual festival standards like ‘Raiders’ and (although I find him annoying and would never see his show) Stef: the ‘fringe’ is an integral part of the variety and diversity that makes Fest a unique cultural experience. Alongside this are ‘Word Fest’ – a literary festival that warms my heart,  Winter School (recently renamed ‘ThinkFest’) where some of the countries top minds come together to talk about topics ranging from law and  neuropsychanalysis to hip hop activism and sports versus art. Oh, and as a myriad visual arts exhibitions by a wide variety of artists.  To someone for whom all of the above equal joy, Fest is an abundantly joyous experience. This will also be enhanced, this year, by seeing my family for the first time 12 months (yay!) and by the prospect of touching base with friends (some of whom are now showing up as experts and performers in the Fest programme – as odd as that may seem). So the anticipation runs high, even two months away and even though I am very sad that there does not seem to be a way for me to make it back in time for the ballet, the gala or symphony concerts or the lecture on a century since South African Union, given by one of my all-time favourite South African historians.

The anticipation of Fest and the knowledge that it is just a couple of months away, make the anticipation of this Opera even more thrilling. Today’s Opera is La Traviata (G Verdi) performed by the Daegu City Opera at the Daegu Opera House. It’s a matinee performance at 4pm. I’ve never seen La Traviata and am very much looking forward to it. I have researched the story, of course, so that I can follow, because the synopsis that is handed out is generally in Korean and therefore not helpful to me. After 10 months I know enough basic Korean to buy things in shops and direct taxi drivers but I definitely cannot claim to speak the language and would probably still, even had I been studying Korean seriously this whole time, not be able to understand enough to follow an Opera synopsis.

In the midst of all this art-sy anticipation, a friend and I are also preparing for a trip to the cultural heartland of Korea next weekend. We’re both quite excited to see some history and culture although the planning is attended in this case by rather a lot of frustration and dead ends – it appears not all Korean tourist destinations have managed to become English-tourist-friendly. At this point we may or may not have booked accommodation at a place that may or may not have an actual name. It should be an interesting weekend and finding out all I can so that we don’t miss any of the wonderfulness is yet another part of why today is a day filled with the anticipation of wonder and the joy of looking forward to the things (and the people with whom I will share those things) that are good and special and joyful in my humble little life.

Spring picnic

April 22nd, 2010

Spring has finally arrived in Korea. Well, the spring blossoms have arrived. The weather is still annoying and a little crazy. Last week Wednesday, for example, it snowed. On Saturday, however, the sun came out and the weather promised to be relatively warm. Perfect weather for a picnic. It feels like ages since I had a relaxed weekend that didn’t involve going somewhere or at least planning to go somewhere, so the main aim of the day was to find a pleasant spot with some sunshine and some prettiness and sprawl out with a book on a blanket.

I decided to go to Duryu Park, my favourite park here in Daegu. Getting there is even easier from my new area (Jisan) – I just walk down past the hut towards Castle Gold Park and pick up a number #3-1 bus from there. It takes about 20 minutes by bus to get to the park.

The first thing I saw when I stepped off the bus was a road, with hills of green stretching away on each side, lined, all the way to where it wound around a corner in the distance, with trees in full spring bloom. After several abortive attempts to travel to other parts of the country to find some spring flowers, it seems the place to look was right here all along. There are certainly more than cherry blossoms. I like all the spring flowers. I do see the particular appeal of the cherry blossoms, however.

This is the first time I’ve seen cherry blossoms in the forests, when I took a walk through the wooded hills of Duryu park. They’re particularly beautiful against the fresh spring green of new leaves and the bare branches of those trees still waiting for the season’s change to reach them. I still think they may be most spectacular in avenues, however. There is an avenue of cherry trees along one side of Suseong Lake. It took a while for the trees to blossom. In fact, trees scattered around the other three sides of the lake had blossomed up to a week earlier and I thought these trees must be some other sort. Until I went walking at the lake last Tuesday and found myself walking beneath a canopy of delicate pink blossoms, meeting above my head and painting the whole world the shade of a romantic movie. The thing about cherry blossoms, apart from the exquisitely delicate pale-pink colour, is the density of flowers. A lot of blossom trees have just one or two blossoms on a branch. This can be beautiful but it means that the blossoms are individual delicate flowers. For pure spectacular-ness, they simply cannot compete, however, with the way that cherry blossoms cluster along branches and absolutely cover the tree with their glorious beauty. This is, of course, also highlighted by the dark brown trunk and branches occasionally glimpsed through the flower-clusters. I’ve tried, several times, to capture the gloriousness of the cherry blossom spring in photographs but it seems to resist being caught on film, so I suppose this will just have to be a memory I carry in my mind.

The other thing about cherry blossoms I discover – again while walking at the lake – is cherry blossom snow. I refer, of course, to the falling cherry blossom petals. I found myself earlier this week, walking along that same avenue of cherry blossoms, this time with the wind whirling cherry blossom petals around me like snowflakes. Suddenly I was walking through spring. I couldn’t resist spinning around in joy.

On Saturday, I saw some cherry blossom trees and enjoyed their glory but I equally enjoyed the other flowers and the spring-green of new leaves, as well as other bits and pieces of a spring day – like tiny orange fish darting around a pond, a middle-ages lady fast asleep on a wooden platform and a soccer team kicking around a ball. I was due to meet a friend for a bit of a picnic, so, after walking a little in the hills and meandering around taking tons of photographs (having discovered a new setting on my camera that simply had to be tried out), I headed for the stadium. I wasn’t sure where to find a quiet spot to spread out my blanket because there didn’t seem to be many lawns so I thought I’d sit in the stands for a bit and get my breath back before trying again.
As I walked up the steps to the top of the stands, I stepped into glorious sunshine. I don’t think I had really thought about how long it had been since I had been outdoors without a long-sleeved top of some sort. It isn’t the kind of thing one thinks about much. On Saturday afternoon, for the first time in months and months, I took off the jackets and jerseys and layers and sat in the spring sunshine in just a T-shirt. It was glorious.

I found a quiet, flat patch of grass about half-way up the stands and spread out my orange blanket that came with me all the way from South Africa and proved so multi-functional over the years. My friend was later than she expected to be, but I hardly noticed as I lay on my blanket and read a book with the sunshine on my back. In a world where it rains so much of the time and is overcast even when it isn’t raining, and where my working hours mean that I only get home around 11pm and so sleep through a lot of the daylight, an hour or two of being outside and warm and curled up like a kitten in the sun is just gorgeous.

The sun was starting to drop towards the horizon and workmen setting up a stage in the middle of the stadium/arena as we packed up to head home, slanting rays of light filtering through the cherry blossom trees to follow us to the bus stop. Since then, there has been one more day of warmth in between the chilly (and today downright cold) weather. I’m really hoping it changes properly soon and that there will be plenty more picnic-weather-Saturdays in my last few months in Korea.

Cherry blossom fail, Lake Hotel for the win

April 15th, 2010

Some experiences are more difficult to explain/describe than others. This seems especially true the further away (in time and space) I get from home and thus common ground with those for whom I am writing. This was one of those experiences. But perhaps those reading will understand more than I realise. Here is the story of Cheongpung.

Jecheon is a town in the middle of nowhere. My guidebook doesn’t even mention it, although it appears on the map so that you can see that it’s in the far right corner of Chungcheongbuk-do (ChungCheong province, north), which puts it somewhere near the middle of the country. It’s so far off the beaten track that only the very slow ‘commuter’ (Mughangwa) train goes there. The train does actually stop there, which is an improvement on some of the smaller farming settlements nearby.

Cheongpung is 30 minutes outside Jecheon. To get there, you take the Saemaul or KTX train to Daejeon (1-2 hours) and then change to the slow train to Jecheon. A couple of hours later, you walk out of the station onto a dusty street-side area, complete with deserted roads and faded buildings. It is technically a city (140 000 people), but in Korean terms – where people cluster in huge numbers (like termites) – it’s virtually a small town. There are no signs in English and no flashy new information offices. You know you’ve left the beaten track. To get to Cheongpung, you take a bus or a taxi. The buses are cheaper but there is absolutely no English so you may end up rather a long way in the wrong direction.

Of course, the taxi drivers don’t speak much English, either, so you’re likely to find yourself sitting in the taxi with a nagging premonition of being lost, anyway. If you’ve gone to Jecheon/Cheongpung for the spring flowers, you’ll also be watching in anticipation, hoping all the time that they’ll appear soon. If you’d followed the information on various usually reliable internet resources this year, and gone last weekend, as we did, you’d be disappointed.

There were no cherry blossoms. As our taxi drove on and on, we watched, in dismay, the bare branches of the hillside trees. All that travelling, all that waiting, to see flowers that weren’t there. And it didn’t even begin there. My morning had started with sneezing, my cold feeling nastier than ever, rushing to the station and discovering that all the tickets for the next three trains were sold out, leaving me twiddling my thumbs at Dongdaegu station while my travel companion cooled her heels in Daejeon. There are only four trains from Daejeon to Jecheon each day. The train I finally found  to Daejeon (buying first class because it was the only option) was due to arrive 15 minutes before the train to Jecheon left. Cutting it fine but the only option. The train was 5 minutes late. Luckily my travel companion had bought tickets. I ran from one platform (up one set of stairs and down another) to the other and only just made it. And then the uninspiring Jecheon station. And then the taxi driver and the fear of being lost. And then no cherry blossoms.

The weekend could have been a total disappointment. It almost should have been a total disappointment. Instead, it turned out to be a lovely couple of days in a place I would quite happily have stayed.

The taxi trip took about 30 minutes, giving us ample time to enjoy the spectacular views of the lake from the winding roads (in between worrying about being lost). We were headed for Cheongpung Resort, the only hotel we’d been able to find on-line that was definitely in this area – as opposed to being in Jecheon itself. It was more expensive than most accommodation but we wanted to be sure we’d see the cherry blossoms. This turned out not to be an issue, of course, but the choice was a good one nonetheless. It turned out the driver knew exactly where we were going. As we got near to the hotel, he asked if we were booked at the ‘hills’ or the ‘lake’ hotel. We said ‘lake’, figuring we could go to the other one if we needed to. He drove up to a huge hotel overlooking the blue-green water and dropped us off. In the 9 months I’ve been in Korea, I’ve seen plenty of love-motels, a few backpackers, a ‘youth hostel’ on a ski resort and some ‘tourist hotels’ (which tend to be expensive and particularly ugly). I haven’t seen a ‘normal’-looking hotel for a while. We walked in through the main door and went to a professional-looking reception desk. They confirmed our reservation, polite and friendly (if not all that fluent in English) and handed us our key to our room on the 8th floor.

Every room in the hotel faces the lake. From our 8th floor balcony, we looked out across the beautiful expanse of water towards perfect mountain peaks. All around, the lake stretched away to mountains in the distance, finger-spreading into valleys. To the left, on the same side of the lake as us, we could see a huge crane-like structure which turned out to be a bungee platform. To the right, small jetties stretched into the water. On that afternoon, mist and low cloud rested on the mountains, giving the whole place a mysterious, storybook quality. A fountain came to life spraying high into the air. It is one of the highest fountains in the Asia, reaching 162m.

Our room was great. A real, proper hotel room. With a bath. I don’t think people who have never lived in Korea (and possibly other Eastern countries) truly understand how glorious baths are. On Sunday morning I had a bath which was, absolutely seriously, the first bath I’ve taken since I arrived in Korea. It was wonderfully luxurious. So, so good.

For now, though, we went down to the hotel restaurant. In the midst of late trains and worrying about getting to the hotel, we hadn’t had lunch yet. We sat at a table against the huge windows looking out at the lake, and drank beer and ate steak and duck and revelled in the view and felt like real grown-ups.

After lunch we went walking. We spent the rest of the afternoon and early evening wandering along the roads and paths around our hotel area, taking in everything, returning each time we turned a corner, to the stunning views of the lake. We saw so many things. At one point we tried to stop at a wonderfully quirky and cute wooden restaurant/bar but they didn’t want to serve us outside, so we moved on. We stopped on a gravel road looking across a dusty field in winter colours and with rusting soccer posts towards our hotel. The other hotel (’hills’ not ‘lake’) stood white against dark, craggy mountains soaring towards the sky. We walked along a wooden board-walk down and up the side of a mountain, climbing steps and strolling along wooden walks, all the time watching the different-coloured lights on either side of the path. We stopped to look a huge climbing wall and the night-time lit up, multi-coloured bungee platform. We watched colour-changing lights reflecting off pine trees. Back at our hotel, we watched the evening go by with a cold beer and good conversation. From what looked like a tiny performance stage near the bottom of the bungee platform, out a little into the lake, drifted Korean music throughout the evening, music that was aptly dubbed by my travel-mate, Anna, the Korean Neil Diamond. It wasn’t unpleasant and it added a uniquely Korean feel to the evening. Anna thought the place looked a little like Guilin (in China) “but the Korean Neil Diamond version”.

By the time we decided we were hungry (after our late lunch), the restaurants had closed, so we got a take-away pizza from the bar and ate it upstairs, more than happy to combine reasonably good pizza with an awesome night view. The pizza was ‘combination pizza’, which, it turned out, meant whatever was left over, ranging from ham and plenty of cheese to shrimps that kept surprising us. By midnight we were crawling into hotel beds complete with crisp, white sheets and down duvets.

Sunday morning breakfast was a hotel breakfast buffet. Between 2003 and 2008, I spent an awful lot of time in hotels. The hotel buffet breakfast is something that is familiar and a little bit comforting (as odd as that may seem). This buffet didn’t disappoint. It had all the usual standard options: cereal and milk, muffins, croissants, pastries (all of which were miniature), watermelon and fruit salad and hot breakfast. Of course there were differences. Most breakfast buffets I’ve experienced don’t include rice, kimchi, bulgogi, seaweed and rice porridge. Anna decided to try them out. I stuck with the traditional. I even had bacon, sausage and chips. All finished off with coffee and tea. It wasn’t a cheap breakfast but it was so good that it was worth it. In fact, that was pretty much true of the whole weekend.

After breakfast we went to the reception desk and asked when the ferry rides started and where we should go. Here we ran into a problem (exacerbated by the lack of a common language between the desk staff and ourselves). It turned out the ferry departure point as not within walking distance. “Well, can we call a taxi?” we asked. Apparently not. Since we’d arrived, the idea of a ferry on the lake had wormed its way into our plans. I had my heart completely set on it. But what could we do. Just as we were deciding whether we should set off walking anyway, even if it took us hours and hours, the hotel staff graciously offered to drive us there. Thrilled, we threw our stuff into bags, checked out, and rushed out to the hotel mini-bus.

We were early for the next ferry departure. We bought our tickets and wandered around looking at the curios until the overwhelming smell of bondeagi drove us outside to enjoy the water and the view of the bridge. The weather was overcast but the clouds were high and there was plenty of light.

The ferry arrived and everyone rushed inside to get a seat. We were very happy (if bemused) to let them rush indoors and found ourselves a spot near the back from where we could watch the stunning scenery with the wind in our faces and the splash of the water below us. Boats are another wonderful way to see the world. The scenery we passed was stunning. Above the water-line, all around the lake, there are layers of exposed rock in various colours, starkly clear and exposed between the start of the trees and the water. In some places, similar rock was visible in huge, strange formations higher up the hills. Sometimes the rocky cliffs reach the water. The waves from our boat splashed against the rock.

We travelled between high mountains and hills and passed small villages and roads twisting along hillsides. We passed under bridges and commented on traditional buildings. At the end of the ferry trip, we walked up to the top of the hill and looked out across the blue-green lake at the hillsides and mountains. We were at the start of some of the trails in Woraksan National Park but there was no time for hiking. Before we knew it, it was time to get back to the ferry and return to our starting point. The ride back was even prettier than the trip there because the sun came out and sparkled on the water. We stood at the back of the boat, enjoying the water and sunshine. It seemed an appropriate moment to open a beer. An older man sidled up to us and offered us some rather disgusting chips. We accepted them. In Korea the act of ‘offering’ can sometimes be rather forceful. Just then, after looking around to make sure no-one else was watching, he surreptitiously opened his coat to show us a bottle of soju tucked in his pocket. We declined as politely as we could in our limited Korean. In a last ditch attempt to persuade us, he whipped out a cucumber and offered it to us triumphantly. He eventually found someone else to share his drink and they sat tossing back soju shots from paper cups as the boat sped on.

The hotel staff really went above and beyond for us and when they dropped us off had given us a number to call so that they could fetch us. They even refused payment and then organised for us to go back to town with the hotel’s shuttle bus. Our experience of the hotel was definitely one of the most positive I’ve had at any place in Korea and I’d recommend Cheongpung Resort (Lake Hotel) to anyone. Plus the setting is just exquisite: blue water, sweeping hills, pretty fountains and the ferry. The kind of place you may only see once but you know that looking back you’ll always – even just a little – wish you could return.

Some experiences are more difficult to explain/describe than others. This seems especially true the further away (in time and space) I get from home and thus common ground with those for whom I am writing. This was one of those experiences. But perhaps those reading will understand more than I realise. Here is the story of Cheongpung.

Jecheon is a town in the middle of nowhere. My guidebook doesn’t even mention it, although it appears on the map so that you can see that it’s in the far right corner of Chungcheongbuk-do (ChungCheong province, north), which puts it somewhere near the middle of the country. It’s so far off the beaten track that only the very slow ‘commuter’ (Mughangwa) train goes there. The train does actually stop there, which is an improvement on some of the smaller farming settlements nearby.

Cheongpung is 30 minutes outside Jecheon. To get there, you take the Saemaul or KTX train to Daejeon (1-2 hours) and then change to the slow train to Jecheon. A couple of hours later, you walk out of the station onto a dusty street-side area, complete with deserted roads and faded buildings. It is technically a city (140 000 people), but in Korean terms – where people cluster in huge numbers (like termites) – it’s virtually a small town. There are no signs in English and no flashy new information offices. You know you’ve left the beaten track. To get to Cheongpung, you take a bus or a taxi. The buses are cheaper but there is absolutely no English so you may end up rather a long way in the wrong direction.

Of course, the taxi drivers don’t speak much English, either, so you’re likely to find yourself sitting in the taxi with a nagging premonition of being lost, anyway. If you’ve gone to Jecheon/Cheongpung for the spring flowers, you’ll also be watching in anticipation, hoping all the time that they’ll appear soon. If you’d followed the information on various usually reliable internet resources this year, and gone last weekend, as we did, you’d be disappointed.

There were no cherry blossoms. As our taxi drove on and on, we watched, in dismay, the bare branches of the hillside trees. All that travelling, all that waiting, to see flowers that weren’t there. And it didn’t even begin there. My morning had started with sneezing, my cold feeling nastier than ever, rushing to the station and discovering that all the tickets for the next three trains were sold out, leaving me twiddling my thumbs at Dongdaegu station while my travel companion cooled her heels in Daejeon. There are only four trains from Daejeon to Jecheon each day. The train I finally found to Daejeon (buying first class because it was the only option) was due to arrive 15 minutes before the train to Jecheon left. Cutting it fine but the only option. The train was 5 minutes late. Luckily my travel companion had bought tickets. I ran from one platform (up one set of stairs and down another) to the other and only just made it. And then the uninspiring Jecheon station. And then the taxi driver and the fear of being lost. And then no cherry blossoms.

The weekend could have been a total disappointment. It almost should have been a total disappointment. Instead, it turned out to be a lovely couple of days in a place I would quite happily have stayed.

The taxi trip took about 30 minutes, giving us ample time to enjoy the spectacular views of the lake from the winding roads (in between worrying about being lost). We were headed for Cheongpung Resort, the only hotel we’d been able to find on-line that was definitely in this area – as opposed to being in Jecheon itself. It was more expensive than most accommodation but we wanted to be sure we’d see the cherry blossoms. This turned out not to be an issue, of course, but the choice was a good one nonetheless. It turned out the driver knew exactly where we were going. As we got near to the hotel, he asked if we were booked at the ‘hills’ or the ‘lake’ hotel. We said ‘lake’, figuring we could go to the other one if we needed to. He drove up to a huge hotel overlooking the blue-green water and dropped us off. In the 9 months I’ve been in Korea, I’ve seen plenty of love-motels, a few backpackers, a ‘youth hostel’ on a ski resort and some ‘tourist hotels’ (which tend to be expensive and particularly ugly). I haven’t seen a ‘normal’-looking hotel for a while. We walked in through the main door and went to a professional-looking reception desk. They confirmed our reservation, polite and friendly (if not all that fluent in English) and handed us our key to our room on the 8th floor.

Every room in the hotel faces the lake. From our 8th floor balcony, we looked out across the beautiful expanse of water towards perfect mountain peaks. All around, the lake stretched away to mountains in the distance, finger-spreading into valleys. To the left, on the same side of the lake as us, we could see a huge crane-like structure which turned out to be a bungee platform. To the right, small jetties stretched into the water. On that afternoon, mist and low cloud rested on the mountains, giving the whole place a mysterious, storybook quality. A fountain came to life spraying high into the air. It is one of the highest fountains in the Asia, reaching 162m.

Our room was great. A real, proper hotel room. With a bath. I don’t think people who have never lived in Korea (and possibly other Eastern countries) truly understand how glorious baths are. On Sunday morning I had a bath which was, absolutely seriously, the first bath I’ve taken since I arrived in Korea. It was wonderfully luxurious. So, so good.

For now, though, we went down to the hotel restaurant. In the midst of late trains and worrying about getting to the hotel, we hadn’t had lunch yet. We sat at a table against the huge windows looking out at the lake, and drank beer and ate steak and duck and revelled in the view and the sense of being real grown-ups.

After lunch we went walking. We spent the rest of the afternoon and early evening wandering along the roads and paths around our hotel area, taking in everything, returning each time we turned a corner, to the stunning views of the lake. We saw so many things. At one point we tried to stop at a wonderfully quirky and cute wooden restaurant/bar but they didn’t want to serve us outside, so we moved on. We stopped on a gravel road looking across a dusty field in winter colours and with rusting soccer posts towards our hotel. The other hotel (’hills’ not ‘lake’) stood white against dark, craggy mountains soaring towards the sky. We walked along a wooden board-walk down and up the side of a mountain, climbing steps and strolling along wooden walks, all the time watching the different-coloured lights on either side of the path. We stopped to look a huge climbing wall and the night-time lit up, multi-coloured bungee platform. We watched colour-changing lights reflecting off pine trees. Back at our hotel, we watched the evening go by with a cold beer and good conversation. From what looked like a tiny performance stage near the bottom of the bungee platform, out a little into the lake, drifted Korean music throughout the evening, music that was aptly dubbed by my travel-mate, Anna, the Korean Neil Diamond. It wasn’t unpleasant and it added a uniquely Korean feel to the evening. Anna thought the place looked a little like Guilin (in China) “but the Korean Neil Diamond version”.

By the time we decided we were hungry, the restaurants had closed, so we got a take-away pizza from the bar and ate it upstairs, more than happy to combine reasonably good pizza with an awesome night view. The pizza was ‘combination pizza’, which, it turned out, meant whatever was left over, ranging from ham and plenty of cheese to shrimps that kept surprising us. By midnight we were crawling into hotel beds complete with crisp, white sheets and down duvets.

Sunday morning breakfast was a hotel breakfast buffet. Between 2003 and 2008, I spent an awful lot of time in hotels. The hotel buffet breakfast is something that is familiar and a little bit comforting (as odd as that may seem). This buffet didn’t disappoint. It had all the usual standard options: cereal and milk, muffins, croissants, pastries (all of which were miniature), watermelon and fruit salad and hot breakfast. Of course there were differences. Most breakfast buffets I’ve experienced don’t include rice, kimchi, bulgogi, seaweed and rice porridge. Anna decided to try them out. I stuck with the traditional. I even had bacon, sausage and chips. All finished off with coffee and tea. It wasn’t a cheap breakfast but it was so good that it was worth it. In fact, that was pretty much true of the whole weekend.

After breakfast we went to the reception desk and asked when the ferry rides started and where we should go. Here we ran into a problem (exacerbated by the lack of a common language between the desk staff and ourselves). It turned out the ferry departure point as not within walking distance. “Well, can we call a taxi?” we asked. Apparently not. Since we’d arrived, the idea of a ferry on the lake had wormed its way into our plans. I had my heart completely set on it. But what could we do. Just as we were deciding whether we should set off walking anyway, even if it took us hours and hours, the hotel staff graciously offered to drive us there. Thrilled, we threw our stuff into bags, checked out, and rushed out to the hotel mini-bus.

We were early for the next ferry departure. We bought our tickets and wandered around looking at the curios until the overwhelming smell of bondeagi drove us outside to enjoy the water and the view of the bridge. The weather was overcast but the clouds were high and there was plenty of light. The ferry arrived and everyone rushed inside to get a seat. We were very happy (if bemused) to let them rush indoors and found ourselves a spot near the back from where we could watch the stunning scenery with the wind in our faces and the splash of the water below us. Boats are a wonderful way to see the world. The scenery we passed was stunning. Above the water-line, all around the lake, there are layers of exposed rock in various colours, starkly clear and exposed between the start of the trees and the water. In some places, similar rock was visible in huge, strange formations higher up the hills. Sometimes the rocky cliffs reach the water. The waves from our boat splashed against the rock.

We travelled between high mountains and hills and passed small villages and roads twisting along hillsides. We passed under bridges and commented on traditional buildings. At the end of the ferry trip, we walked up to the top of the hill and looked out across the blue-green lake at the hillsides and mountains. We were at the start of some of the trails in the Woraksan National Park but there was no time for hiking. Before we knew it, it was time to get back to the ferry and return to our starting point. The ride back was even prettier than the trip there because the sun came out and sparkled on the water. We stood at the back of the boat, enjoying the water and sunshine. It seemed an appropriate moment to open a beer. An older man sidled up to us and offered us some rather disgusting chips and then surreptitiously opened his coat to show us a bottle of soju tucked in his pocket. We declined as politely as we could with limited Korean. In a last ditch attempt to persuade us, he whipped out a cucumber and offered it to us triumphantly. We declined again and tried not to burst out laughing at the sheer oddness of the situation. He eventually found someone else to share his drink and they sat tossing back soju shots from paper cups as the boat sped on.

The hotel staff really went above and beyond for us and when they dropped us off had given us a number to call so that they could fetch us. They even refused payment and then organised for us to go back to town with the hotel’s shuttle bus. Our experience of the hotel was definitely one of the most positive I’ve had at any place in Korea and I’d recommend Cheongpung Resort (Lake Hotel) to anyone. Plus the setting is just exquisite: blue water, sweeping hills, pretty fountains and the ferry. The kind of place you may only see once but you know that looking back you’ll always – even just a little – wish you could return. .

An energetic Saturday

April 5th, 2010

A plan to go picnicking under the cherry trees on Saturday had to be put off due to a dental emergency but the day still dawned sunny and relatively warm (or at least not freezing) and I wanted to take full advantage.

After a gentle start to the day, I headed off to Mangu Park. Mangu is one of the parks I haven’t seen yet. I’ve tried to find it before and been unsuccessful, as it turns out because I got off the bus too soon. This time, I had checked the bus route map properly and had a better idea of how long I’d need to wait. I took the 814 bus. It was around midday on a Saturday, so there were lots of people on the bus. After a couple of stops, I found a seat and watched the world from the window.

After a while, we reached the park. There are different types of parks in Daegu. Some of them, like National Debt Repayment Movement Park, are small parks set up for people to sit in pleasant surroundings (and listen to piped elevator music). Some are bigger parks with more serious walks and sporting activities like Duryu Park. Mangu Park is not a huge park. In fact, it’s a bit of an odd shape, stretching across a main road. Some of the space that it does have is taken up with trees and lawns sloping down hills and benches where people were peacefully sitting and chatting or reading. The rest is taken up by monuments of various sorts.

The most fascinating is the Daegu South Gate. This is, quite literally, the old South Gate of the city of Daegu or Yeongnamjeilgwan. Daegu was first fortified in 1590 (Joseon Dynasty). As usual in Korea’s history, the Japanese invaded within a few years (1592) and destroyed it all. The walls and gates were eventually rebuilt with stone in 1736 and stayed in place until 1906. In 1980, this gate was rebuilt and moved to Mangu Park, where it looks out across the Geumho River. The information board suggests that this structure is based on the original gate but is larger. I’m not sure how exaggerated the current structure is but it is certainly imposing. The two story wooden structure with typical Joseon roof, colours and designs, sits atop a stone (brick?) fortification. There is a tunnel under the middle of the ‘gate’. I walked into this tunnel and did a double-take when I looked up. On the ceiling, there was a fascinating, and huge, mural of two long, thin dragons twisting between clouds and other designs. Western dragons are a lot more solid than Eastern ones. These ones looked like snakes with dragons heads and spindly arms and legs. At the end of the little tunnel – it wasn’t even really a tunnel, just an opening under the gate – were two huge wooden doors and then a view down a hill to a river valley. I love the huge wooden doors. I think they may be my favourite part of traditional Korean architecture.

Beyond the gate, I wandered along paved paths. Along the edge of a path was a fence covered in golden-yellow forsythia flowers. An Asian spring seems like it should be all about cherry blossoms and they are around but so far the forsythias have been far more prominent, painting the spring with swathes of yellow flowers.

Across the bridge above the multiple lanes of fast, flowing traffic, there were more flowers. A few cherry trees proudly showed their spring glory. There was another plant, the name of which I haven’t quite figured out but whose beautiful, creamy-white flowers are some of my spring favourites. In the flower-beds, the city has recently planted flowering pansies in all sorts of beautiful colours – from yellow and deep red to bright purple and velvety dark blue. I considered walking down along the river, but decided to stay on the top of the hill and take a look at the monuments.

The first was a horse and rider statue dedicated (I think) to General Kwak Jaewoo who was apparently the first militia leader to successfully resist the Japanese during the 1592 invasion (although, I’m not sure how successfully given that they seem to have invaded anyway, but what do I know?). The horse and rider reminded me a little of the statues at Rhodes Memorial in Cape Town. There was also a monument-thingy on the back of a particularly scary-looking turtle. Often these turtles that hold up monuments are fascinating and quite pretty. This one wasn’t.

The main monument of the park on this side of the road, and the one that fascinated me the most, is an alter (read: a high tower rising from a hexogon-shaped structure with picture panels) holding memorial tablets for volunteer soldiers who died fighting the Japanese between 1592 and 1598. The monument is fairly modern and fancy. Part of me wonders if this is something that organically exists or if it is part of the ongoing attempt to build the pride of Korean children in their nation  (which, for the record, is spectacularly successful to the point of being a little scary). It was also bare and stark and the panels were beautiful. Whether it is a memorial that is visited by families and that matters to people or is simply a political project of nation-building, a monument remembering those who passed away in defence of their country hundreds of years ago is a little awe-inspiring.

I could have wandered the park for longer, but I had seen most of it and gotten some nice pics – and been reminded how much of a difference natural sunlight makes to pictures – so I found the bus-stop and headed home.

I didn’t stay home for long. A friend and I had made a tentative plan to go for a mini-hike just across the main road from the area where we live. I’d never tried walking on that side and for one reason or another, nor had she. From the road, it looked like it would be a short, simple walk but with just enough steep hills to make it a bit of a climb. It turned out that we had significantly underestimated how many paths there were and how far they twisted into the hills. It will probably be even lovelier when the trees are in full, summer leaf, but I liked it as it was. Because there were fewer leaves, it was possible to look out across the valleys. It felt free and out of the city, even though the city still sprawled below us. We walked along paths and around corners and took turns and twists and tried out some of the exercise equipment randomly scattered around the forest. Eventually, we found ourselves over the hill near the back of the Children’s centre, where we stopped and spent a little time going up and down the mini-obstacle course before climbing back up the hills, to the bizarre accompaniment of a helicopter flying over and playing the sound of a whistled tune. I realise this sounds odd. It was odd.

We walked for almost an hour and a half and did some climbing and got some exercise. I really enjoyed it. I’ve never been the hiking type. In fact, I’ve never really been an outdoorsy person, but it appears the lack of outdoors in Korea is rapidly driving me in that direction. That’s okay. So far it has been fun.

For now, I’m heading off to work, somewhat bitter that I’m working on Easter Monday when everyone in South Africa is mid-long weekend, but I’m simultaneously a little bit excited about the prospect of a Cherry Blossom festival next weekend, so there are definitely silver linings.