K-pop for democracy

Adventures, Ideas, travelling in Korea, ,

After a hair-raising culinary adventure in Mokpo, we high-tailed it onto a bus (sadly there was no ferry) and spent Friday night in Jindo. And on Jindo. Jindo-eup (town) is the main town on Korea’s third largest Island (also Jindo) and the largest city in Jindo-gun (county). It gets confusing.

Friday night, after a safely reassuring dinner of galbi, we found a lovely little jazz bar, complete with appropriate décor, jazz music and good cocktails. In Jindo. Jindo is tiny. Ok, it has a few apartment blocks and a large school or two but by Korean standards it’s a small town. Sometimes it’s amazing the hidden gems you find tucked away in the most unexpected places. Finds like these make me feel sorry for travellers who won’t ever venture off the beaten track, beyond their 5-star resorts and guided tours, for fear that they might be bored/in danger/unable to find somewhere appropriately trendy where they can ‘be seen’. If you ever make it to Jindo, try and find All That Jazz. The proprietor, who is friendly and professional, spend some time in Paris and has put together a delightful little spot to stop for a cocktail or two in a sophisticated yet comfortable bar.

The following morning, I was up early and off to explore, leaving my travel-mate to sleep in. Our plan was to move on fairly soon, so I wanted to get a look at the town before we left. I headed vaguely in the direction of the PB to get something for breakfast, but soon got distracted. By politics. A quick point here: I like politics. I find it fascinating and scintillating and other words a large portion of the population would never in a million years apply to the democratic process (or, most of them, be able to spell). I am most interested in South African politics, but also follow elections and other major political events in other countries, too. This is the first time I’ve been exposed to politics in Korea. It seems there is an election – local government, I think – coming up. Jindo was a great opportunity to watch, as a completely disconnected foreigner, democracy happen.

We had seen the previous day a few vehicles driving around playing bad K-pop-style music at high volume. It took some time and rather a lot of figuring out to realise these were part of the politics. Towards the evening, one of these covered trucks drove past with a man plonked on a stool on the back wearing a smart shirt with a yellow sash. The man waved enthusiastically as the noise assaulted our senses. The truck was yellow with some hangeul writing and a large number. It appears each candidate gets a number, I assume to make the process easier. Each also seems to pick a colour. In Jindo, the highest number I saw was 12. 12 candidates. That’s a lot in what is really a small place. I love that. I love that there are 12 candidates standing in a local election in a small place. And I love how enthusiastically they campaigned.

My travel companion coined the apt term: cute politics. Korea has cute politics. Everything seems to happen on a diminutive scale. Back home, political rallies involve the candidate standing on a big-rig talking and singing and dancing with a crowd of thousands. In Jindo, I found myself at what seemed to be the main intersection of the town’s two major roads (which wasn’t very big at all). Four corners to a busy intersection. On each corner stood one of the noisy little campaign trucks, each barring it’s own pop-ey exhortations for a particular candidate. In front of each truck was a row of women (ranging in age from early 20s to middle-aged), all in the identical, colour-appropriate outfits (with sashes), dancing to the music. When I say dancing here, you should be picturing a row of small Asian women all doing coordinated, very simple, pop-dancing moves. In fact, the dancing consisted mostly of coordinated hand-gestures. But they were determinedly enthusiastic about it and they were all in time. Duelling political campaigns, except that there were four of them. All out in full force, not only at that section but all along the main street where a Saturday-morning street market was taking place, in between the foot-traffic and car-traffic and the political vans and the dancing women. And all of this in the pouring rain.

I was fascinated, I just kept walking along the road and finding more and more of them. It was amazing. I was simultaneously amused (okay, very amused) and elated. There is a moment in the West Wing when CJ says that the small town that votes before everyone else is important because it teaches us about democracy. I felt a little like that, that Saturday morning in Jindo. Here we were, in the rain, in a small town, on an island, in the forgotten south-western corner of Korea but these people believed; they believed so strongly that there are 12 different candidates standing and each and every one has a little van of pop-music-noise and at least one row of well-rehearsed dancing followers. These people believed in democracy. And they were celebrating that belief. They were celebrating their right to vote and to dance for their candidates and to choose their leadership.

The south west (Jeollanam-do) was the birthplace of Korean democracy and the area that bore the brunt of the painful transition from dictatorial rule. Just days before, the country had commemorated the hundreds who fell during the Gwangju massacre on May 18th, 1980. And here, in this small town, were people standing up and honouring them in the truest way possible: by engaging fully in the democratic process. It was a little awe-inspiring, in a K-pop-ey, dancing-women kind of way.

(PS Can’t add photos to this post but this is hands down my favourite pic of the day)

Extreme eating

Adventures, trains and train stations, travelling in Korea

A long weekend is a rare blessing in Korea, particularly as a Hagwon employee. This long weekend – courtesy of Buddha’s birthday on Friday – was a chance to take a trip to the less touristed, less famous South West of the country. Except that there are no trains that run across the country (east to west). In order to go from Daegu to Mokpo, it is necessary to travel half way to Seoul (heading North), change stations and catch another train back towards the south. Frustratingly complicated, especially because the whole country was on the move. Having bought my tickets 2 weeks in advance, it took me leaving Daegu at 7:40 in the morning (having worked until 10:20 the night before) to reach Mokpo at 12:20.

I arrived in Mokpo, hopped on the city bus (thankfully described in the guidebook because there is NO English) and promptly found myself going in the wrong direction. One more try and I made it to the Mokpo Ferry terminal. The terminal isn’t particularly well sign-posted until you’re right on top of it. At least, it isn’t in English. It may be perfectly signposted in Korean.

I took a wander along the road, loving the hot sun (I even put on sunscreen) while I waited for my partner-in-travel to arrive. Her bus was slightly delayed by the traffic jam of people leaving Seoul for the weekend, but eventually she arrived in Mokpo and proceeded to follow in my footsteps and get on a bus going in the wrong direction. While I waited for her to change buses and find her way to the coast, I sat on the steps outside the Ferry terminal and watched the world of Mokpo pass slowly by.

Mokpo is a relatively small and underdeveloped city. The whole province of Jeollanam, in fact, is underdeveloped, in terms of infrastructure for tourist but also economically. This is, according to guidebooks and the other usual information sources, apparently partly because the opposition was, for a long time, based here. This was also the hot-bed of revolutionary resistance to dictatorial rule during the early 1980s, resulting, among other things, in various security-force crackdowns, sieges, massacres and other strategies of oppression generally employed by authoritarian regimes clinging to power in the face of change. Unsurprisingly, this adds to the appeal for me. As a result of being the trouble-makers, this region was, apparently, systematically underfunded and has only in the last few years begun to be given the kind of investment it needs. This is one of the reasons the transport systems are nowhere near as prolific and efficient as in, for example, the South-East (where I live) which has produced a large number of recent leadership figures.

After her bus adventure, Anna arrived. We were, by this stage, both a little hungry, hot and tired, so lunch first. There are seafood places all along the street across from the ferry and marina. You know they are seafood places because they have pictures of seafood creatures on their signs. There is also the dead give-away of the tanks of sea creatures outside. When I first saw shops with tank upon tank of octopus, squid, crabs, fish of all makes and sizes, not to mention eels and weird mollusc-ey things, I thought they were pet shops. How wrong I was.

We picked a restaurant at random, wandered in and gratefully settled onto our floor-cushions and ordered beer. The women working there wanted to know (all in Korean of course) if we’d be eating too or just drinking. Anna went off to point at something in the tank (no menu, let alone in English). She pointed, the women looked concerned. She pointed again. They told us the price. We were a little shocked by the prices but really didn’t feel like going elsewhere so we decided to pay anyway and pointed meaningfully at the tank of baby octopus. The price really did seem rather high for Korea, or for that matter anywhere. In retrospect, that should have been a warning.

Korean food sometimes arrives too quickly. I like being able to relax and chat for a while until the food is ready. Here they tend to bring it quickly and relax after. Even for Korea, this food arrived remarkably rapidly. They brought us a couple of sides first, one of which was baby potatoes – making me particularly happy – and then the main dish was brought out.

What was placed in front of us was a dinner-plate sized platter of cut up baby octopus. Under normal circumstances, this would not really have bothered me. I quite like octopus. I’m a big fan of calamari. But calamari, at least in my previous experience, does not usually move. I know, it’s probably my own fault – I should have learned a little more of the language before venturing into the less touristed places and we should have asked more questions before ordered. We certainly didn’t intend to order a plate of raw, grey, slimy, squirming octopus tentacles. They were moving and wriggling like a mass of worms. One, I am not kidding you, almost managed to escape off the plate. They twisted themselves around the chopsticks. They stuck, with their little suckers holding on for dear life, to the plate. We waited a while for them to die – after all, the tentacles had been severed from the bodies, waited for them to stop moving, but the minute you touched one with your chopsticks, they all wriggled madly. The woman who worked there showed us the red sauce to dip the tentacles in. Dipping them in the sauce had no effect other than to turn the grey wriggling tentacles into red-brown, dripping-with-sauce, wriggling tentacles.

Had I not heard of this ‘delicacy‘ before, I think I would honestly have assumed they were trying to play some horrific joke on the foreigners. But I had heard of it. In fact, I have friends who tried it and were warned that you have to be very careful to chew each tentacle thoroughly (and hard) to make sure that they’re dead, otherwise they can sucker onto your throat, killing more people each year than blowfish. It had never even vaguely occurred to me that anyone would assume that’s what two accidental walk-in tourists, who obviously had no idea what they were doing, wanted to order for lunch. We were horrified. Anna at least is a fairly experimental eater. I’m not. And I’m certainly not going to happily chow down on a bowl of wriggling tentacles which arrive with no warning or time to psych myself up.

Which is not to say we didn’t try it. We each tried at least two tentacles. Picked up with chopsticks (around which they instantly, squirmily wrapped themselves), dipped in the appropriate sauces and (deep breathe and eyes half-closed) stuffed into the mouth chewed as fast as possible to stop them wriggling about. We sat for a while looking at the plate, hoping all the time they’d stop moving so that we could eat the rest. They never did. We couldn’t do it. It seemed a terrible waste to leave all that expensive food but there was no way. I am very solidly a carnivore but even I cannot quite bring myself to eat something that is still fighting back after it is sliced up and sitting on the plate.

We paid our bill and left as politely as we could given that all we wanted to do was run out of there before anyone suggested any more extreme eating experiences. I have it on video (a video of lunch!) and watching it again, I can’t believe that a) I actually ate some and b) people think this is a good thing to eat. It certainly wasn’t delicious enough to make it worth the trauma, to risk death by wriggling things. That said, it didn’t taste bad, actually. Not amazing enough to make it worth it but it wouldn’t have been too offensive if only it hadn’t moved. No-one died, so I suppose we escaped relatively unscathed but we got out of Mokpo post-haste and couldn’t quite bring ourselves to eat at a seafood restaurant for the rest of the weekend.

Gumboot dancing into Korean hearts

Arts, Daegu,

Drankensberg boys’ choir, Suseong Artpia, 15 May 2010

After almost a year in a foreign country, the homesickness becomes a dull background ache. You stop noticing the little gaps in your experience of the world. Other things become normal. You get on with it. And there are good times and life goes on. It takes a show like this one to remind you that your heart doesn’t beat with the regular clackity-clack of the high-speed, high-tech world of Korea – it pounds and whispers with the complex sounds of Africa.

The show started with a mini-intro performance (2 songs) by a Korean choir. Possibly the Daegu City Children’s choir but no English info. They did two songs. They were good, their conductor was enthusiastic and their pianist wore a sparkly ball-gown. They even moved a little from side-to-side and clapped their hands in the second song. A little unfortunately, their rather stilted movements provided a glaring counter-point to the natural flow and energy of the Drankensberg boys.

Once the little girls and boys in aqua-marine (with ruffles) and simply awful white double-breasted blazers had been applauded off, the main act took to the stage. The first half of their programme was a fairly traditional choir performance. They stood still (-ish) in rows (mostly) and sang like with angel-voices. It took a while for the audience to get into it. Their performance was good, but not spectacular and traditional choirs singing traditional music very accurately aren’t all that unusual here. In a country where almost all of the kids play at least one musical instrument and a large percentage (I’d say at least ¾) study singing in the same way they study maths and English, accurate,and often excellent, performances are not uncommon. Which is not to say the audience didn’t enjoy it. They did. The choir even performed Pie Jesu, which was pretty good but not perfect. It was during this performance that I glimpsed, from my seat in the second row (no, I don’t know how I swung that), a sight one doesn’t often see: a Korean nun stealing forward from her seat to get a better view from up front.

By the time the choir performed the Prayer of St Francis with hand movements to illustrate the words, everyone was starting to warm up to them. The conductor also eased their way by saying a few words in Korean. And then they performed Arirang. Arirang is a Korean folk song that seems to be considered a part of the essence of what it is to be Korean. A little like Kimchi. I’m not entirely sure they don’t think it is part of their genetic make-up. Every Korean child knows it and they have a tendency to start singing it spontaneously every time there is a discussion about Korean culture in class. I was a little nervous. I think I held my breath throughout the whole song, eyes on the audience to see how they would respond. Attempting Arirang would either be a huge hit or a disaster. I was hugely relieved when the end of the song was greeted with thunderous applause. The audience was on our side and I relaxed into enjoying the rest of the show. Yes, I know I have nothing to do with it, but when a choir from your country is performing for an audience in the country where you now live, it feels a little personal.

There was also a very good chance that some of my students would be in the audience. There were certainly plenty of teens and kiddies there, some in groups of friends, some with their families. The teenage girls only but made their presence felt a few songs later, when two young black boys led the choir in ‘A crazy little thing called love‘ and got a pop-star (which in Korea equates to superstar) response. Man in the mirror, which got the whole audience clapping, and Circle of Life, and it was time for intermission. The mood in the room was jovial and children and adults buzzed up and down the aisles chatting and laughing.

For the first half of the show, the choir had been wearing the traditional (awful) blue and white outfits of the Drankensberg Boys’ Choir. During the interval they went off to change and the stage was rearranged for a different kind of experience to come. After a slight delay post-lights-down at the end of the interval, they returned and opened with a song I am particularly fond of, and which will now be stuck in my head for the rest of the week, Kwangena Thina Bo.

The second half was completely different fare. In brightly coloured shirts, interspersed with zulu warrior costumes and gumboot dancing gear, the choir wowed the audience with a series of South African favourites, often not even leaving time for applause in between songs. After a few songs, everything went black and they performed a piece called ‘Night Sounds from the African Veld‘. Every South African knows those sounds. I found myself taking deep breathes and shedding a few tears for home.

Then there was Soccer Ball Surprise – Bazeya, a delightful, energetic song using soccer balls to create the rhythms beneath the perfectly pitched vocal movements. And then came the gumboot dancing. It is hard to say whether the Zulu warriors or the gumboot dancing got more reaction from the audience but the cheering and teenage-girl shrieks and the thunderous applause were a significant indicator of how they felt. They were also enhanced with the two little boys in full Kaapse Klopse outfits (complete with umbrellas) who brought in Nuwe Jaar.

During a later song, four little zulu warriors in skins came out into the audience and greeted their adoring fans, ranging, I was amused to note, from toddlers and teenage girls to middle-aged mamas. They said ‘Anyeong’ to as many as they could manage before returning to the stage for the last few songs.

One of the pieces that affected me the most, although I found it interesting to see that the Koreans didn’t seem to react to it all that much, was an African drumming piece. Rhythms in Korean music tend to be, from what I have observed, fairly regular. I think the complex beats which filled my soul with ecstasy and made me feel alive were a bit too foreign for them. Actually, they missed a lot of the rhythms. The audience kept trying to clap along to everything but the clapping soon petered out as they lost track of what the drums and the shakers and the nimble hands were doing. I noticed people trying very hard to follow , though, in the same way they tried to imitate every time a ‘click’ sound showed up in a song.

Far too soon for me, and I think a lot of other people, the show was over. After two encores, the conductor resolutely shepherded his choir off the stage. They must have been exhausted from all the energetic dancing and singing. I hope everyone who was there had fun. I certainly did. And walking out of the theatre, through gaggles of girls who were clearly waiting around to try and get a chance to talk to their new heroes, I was so glad I went and so very, very proud to be South African.