A few months ago, I spent a delightful day in Gyeongju with some friends. Most of the time was spent riding bikes (with accompanying reversion to happy, childhood days) and it was most fun. Towards the end of the day, we shivered our way around a few of the historical sites for which the town is famous before rushing home in an attempt to get warm. After my (mostly) failed trip to the Daegu museum last weekend, what better way to satisfy my still lingering craving for museum time than to go back to Gyeongju and spend a day in a place which markets itself as a ‘museum without walls?

Gyeongju was the capital of the Silla Kingdom for almost a thousand years. This included the ‘three kingdoms period’ and the early part of the era of a unified Korea, the Unified Silla period. After political control passed to the Goryeo dynasty, the capital was moved elsewhere and this area fell out of favour with kings and rulers for many centuries. It was largely restored in the 1970s and 1980s and also protected from the rapid development which was overtaking the rest of the country at the time. As a result, it remains a smaller city but one which more truly resembles and celebrates a Korea of earlier times, rather than just any other rapidly developed Asian city.

Last time we went to Gyeongju, we didn’t leave Daegu until after 11am, which meant that the day was quite short before the sun set and the freezing began. This time I was doubly pressured because I had a function in the evening, so I decided to take the early train (9:43am). The downside of this is that it required me to get up early. Because I only start work late and don’t finish until late in the evening, my days generally do not start before 10am, so getting up at 7am (to have time to get ready and get all the way to the train station in time to buy a ticket, etc.) was a struggle. I almost gave up and went back to sleep. Luckily, ‘museum-fascination’ proved too strong and I dragged myself out of bed and I got to the station in time. In fact, I got there with 25 minutes to spare, so I wandered around and bought a hot dog for breakfast. Several people are probably judging me right now for choosing a Western food over a Korean one for breakfast. Sorry, but, while I may be able to handle kimchi and rice at most times, they’re too much for me first thing in the morning.

It was a chilly and partly cloudy day in Gyeongju when I arrived, an hour or so later. Cloudy not in a solidly overcast way. Instead, there were streaky, high clouds bringing with them the icy winds. There were a collection of overly-friendly taxi drivers at the station exit but, armed with my map, guide-book and a determination that this time I would not get lost, I set off on foot. As I walked along, I was struck again by what an incredible difference it makes not to have sky-scrapers everywhere. Part of the effort to restore and preserve this city in the 70s and 80s involved height restrictions on buildings near historically important places (i.e. most of Gyeongju), so most buildings are one or at most two storeys high. They also almost all have traditional Korean roofs, which are attractive, although the roofs on bus stops and electricity boxes are a little quirky.

I walked all the way past Anapji pond to get to the museum, having decided to start the day’s exploring at a distance from the station and then work my way back. It took me about 10 to 15 minutes of gentle walking to reach my first destination: Gyeongju National Museum.

The museum is one of the main attractions in Gyeongju as is apparently one of the best in Korea. And museums make me happy. The collection of this museum spans almost two millennia but is richest with regard to the Silla period due to two great sources of artefacts: the tombs of royals and noblemen which dot the whole of the area, the most prominent of which are gathered in the Tumili park and Anapji pond. This pond, or man-made lake, was completed in the year 674 and is valuable not only because it is pretty and is an important palace site but, and perhaps more importantly from a knowledge perspective, because when the lake was dredged in the 1970s, thousands of artefacts, ranging from metalwork and statues to a whole boat, were discovered.

Entrance to the museum is free. Having now seen the size and scope of their collection and having some sense of the work that must go into researching and preserving it, I am very impressed that they can manage to run as a free facility. Wherever they get their funding from, it must be somewhere or someone significantly large and significantly committed to history.

The first thing I stopped to look at after picking up my free ticket and heading inside the grounds  was the Divine Bell of King Seongdeok, part of the outdoor exhibition. This 18ton bronze bell was cast in 771AD, stands 3.75m high and is the largest Korean bell ever to be preserved. It was made in honour or memory of King Seongdeok (702 – 737AD). It also carries a stranger tale. It is said that when the bell was first cast, it would not ring. This huge bell, cast in honour of a great king, would not make a sound no matter what anyone tried. Eventually the bell had to be melted down again and  recast. But this time, so the legend says, a young child was sacrificed to give a sound to the bell and the bell rang out for the first time. It is said that the echo of her cries can still be hear when the bell is rung. Because of this it is also known as the ‘Emile’ bell, ’em-ee-leh’ resembling the traditional word for mother. When I heard it rung later in the day, it did have an eerie echo, which, for the more factually minded, may have something to do with the sound-tube at the top of the bell – apparently a unique feature of Korean bells. Pure historians who object to the mingling of myth and fact may want to stop reading now, as this is a crucial part of a social history approach and one of my slight dissatisfactions with this museum in general, but more on that later.

After wandering around the outdoor exhibition a little more, I headed inside. Before entering, however, I stopped to look at a replica wall of rock art outside the main hall of the museum. While my own country does not have as many castles and ancient tombs as some others, rock art is something with which I am fairly familiar. I was fascinated by this particular piece however. I have never before seen whales in rock art. It was bizarre. Most of the figures were fairly standard but there were distinct drawings of actual whales. A reminder, I suppose, of just how dependent the people of this area have been on the sea ever since they settled here.

As I walked inside, still chuckling at the unexpectedness of the whale rock art, one of the most annoying things possible happened: I was approached by a nice-enough-seeming Korean man who spoke English and eagerly offered to help me. When I politely refused his help, he admitted that he was a Jehovah’s Witness and tried to hand me a ‘watchtower’ pamphlet. I very firmly, and somewhat less politely, handed back his pamphlet and walked off. People are welcome to believe whatever they want but I object to being accosted by JWs in a museum of all places.

The main building or ‘archaeology hall’ of the museum is divided into four rooms. The first room contains artefacts dating from prehistoric to proto-three-kingdom times. These include pottery and weapons and basic implements for living. It’s not a vast collection but there are some interesting pieces. Given Korea’s recent (last few centuries) reputation as a ‘hermit kingdom’, for example, it was fascinating to see and read about the extensive interaction they had with neighbouring countries and kingdoms in their early history. Grey earthenware pottery, for instance, was first introduced very early on from China.

The second annoyance of the day began at this point. By some unpleasant twist of fate, I had apparently picked a day to visit the museum that coincided with the visits of at least one – but what felt like many – school trips. By school trips here I am not referring to groups of quiet, studious high-school learners. My meandering around the museum was accompanied by lines of small, loud, uninterested children, accompanied by a few adults who themselves seemed remarkably disinterested in what they were seeing. One of the reasons I love museums is that they tend to be quiet, peaceful places where one can think and contemplate and relax. This one was not. Instead, these lines of kids were rushed past each display case, moving too fast for any of them to really understand what they were seeing, while simultaneously forming an impenetrable wall which made it impossible for anyone else to see the displays at all. Added to this noise and chaos were several other Korean family groups who had also brought their small children to see the museum. I do not understand why people feel the need to drag small children around the main exhibits of a museum. This one, like many museums these days, has a whole children’s area full of interactive displays and high-tech learning opportunities. There is no reason for them to be dragged around the static displays they will not understand for at least another 10 years and which serve only to bore them to the point where they start running around and almost knocking over the glass cases of 1000 year old treasures.

Luckily, I am a determined museum-er, so apart from the slight, throbbing headache – the result of loud children and echo-ey rooms on top of limited sleep – I was able to patiently ignore them and, with some pushing and refusing to be moved by the seemingly inexorably lines of kids, see everything I wanted to see.

Two of the museums main rooms are dedicated to the Silla period and contain a range of artefacts mostly discovered in the excavation of various of the tombs in the area. These include jewellery, pottery, gold and silver and bronze cutlery and crockery and ornaments and particularly fascinating bits and pieces of glass and metal-work. Gold crowns, belts, crown ornaments and ‘chestlaces’ (which is apparently a word now) were clearly the fashion at the time, too. According to wikipedia (yes, I know, not the most reliable source in the world) there are only 10 fully gold crowns in the world, 8 of them from Korea and six from the Silla Kingdom. The most spectacular of these is a large crown and belt of gold with decoration of blue glass beads and comma-shaped jades (another definite favourite of the times – they were everywhere). This crown is large and spectacular and is given a whole alcove with special stand, background and lighting to show it off perfectly. It is of course also one of Korea’s National Treasures, although I still haven’t managed to figure out if it’s 191 or 188. It also appears to be fairly similar to/the same as the crown used in a hugely popular 2009 Korean TV series about the Silla Queen Seon-deok, making the crown itself and this museum more generally even more of a tourist hot-spot.

The crowns and crown ornaments (and gold caps and silver caps and gold chestlaces) were  fascinating but I was also interested in some of the other artefacts. One display included about 20 gold rings from the 5th or 6th century – mostly fairly plain rings that have survived beautifully and could so easily be wedding rings today. I loved the bronze three-legged pot which just made me want to imagine a group of Silla people making a potjie and watching rugby on a Saturday afternoon. Some of the pottery was also fascinating. One long-necked pot with little figures of snakes and frogs and people and animals (National Treasure 195, stoneware) from the 5th or 6th century, was particularly impressive. I was also intrigued to discover that the Silla rulers imported Roman glass.

A second room of Silla relics covers the later Silla period. The pottery and burial items begin to be more sophisticated here. There is also a wide array of slightly more complex weaponry and armour and horses seem to become particularly important. The armour even included armour for horses. This is also the period when burials became more sophisticated. Jar tombs were on display here – large clay jars for children’s or bone-burials – along with small funeral items and, a little heartbreakingly, what must have been children’s toys. I finally got to see some bronze and iron mirrors – I’ve always wondered about them – although I still don’t see how they worked as mirrors. There were also several figurines, including one of a man (civil-figure, male was all the explanation given) that looked exactly like a tiny gnome. There were of course also exquisitely made figures of the Chinese zodiac and a wealth of other bits and pieces.

As I was leaving this room, I passed through a small temporary display to celebrated the year of the Tiger. Lunar new year is in about two weeks and the new lunar year will be, according to the Korean calendar, the apparently auspicious ‘Year of the Tiger’. This was a very small display but included a few masks and a sculptures, as well as a beautiful blue and white porcelain jar from the Joseon period (18th century) with tiger and magpie images. There was also another rock art replica, this time including tigers as well as whales.

The final room of the main hall is dedicated to a collector who built up and later donated to the museum a collection of over 600 artefacts from this region. Some of them were stunning, some a bit random and some funny. There were daggers and hilts from long, long ago – in stone and later metal. Full sets of metal cutlery – chopsticks plus spoon. A very obviously duck-shaped pot/jar in grey earthenware from the proto-three kingdoms period. A particularly well-preserved and unique national treasure: a horse-back-riding-warrior-shaped double-cup. Horses were a prominent theme. There were many bits of horse-riding gear, horse-shaped buttons, a wide variety of horse-bells and even some ‘Lacquered stirrups’ – also a treasure (one level below national treasure). There was also a ‘pillow’. Made of steatite and from the Unified Silla period, this block of stone, with some faint carvings and perfectly straight edges had me giggling as I pictured what a good night’s sleep it must have given the people who owned it. There was also a lovely display of jewellery, that would have looked equally appropriate in any modern jewellery store window, and a display and explanation of roof tiles – I think I finally understand how Korean roofs are put together now.

Many of these artefacts  fall within the periods of the other rooms, but are kept separate because they belong to this specific collection and I imagine also because many of them are not accurately dated and do not have exact information about where they were found. Which brings me to my minor issue with the curators of this museum. I recognise completely the value of archaeology and the scientific assessment of artefacts. I feel, however, that sometimes the focus on science in the study of the past can go too far. I loved the collection at this museum. They have a huge number of really stunning pieces, all of which are well-maintained and documented. What was completely lacking for me, was any attempt to present the historical and particularly the social context of these pieces. With a fairly active imagination and a basic knowledge of the past, I was able to reconstruct some of how things might have happened, but without a more detailed understanding of the social structures and the manner of interaction between people and peoples at the time, it’s really hard for a visitor to turn these individual pieces into anything more than ‘some pretty art that’s kind of old and a few bits of bent armour’. This makes me sad. I think history is fascinating and I fully believe that a large part of the reason so few people are interested in it is that it is often presented badly. The display cases at the Gyeongju museum are all beautifully constructed and everything is elegantly-lit and appropriately labelled but it could just as easily be an art gallery as a museum.

I had the same problem with the Anapji hall, where I went next, although there was at least some effort here to visually show where the artefacts were found. The difference between the main building of the museum and the Anapji hall is that the majority of the artefacts in the former were excavated from burial sites, and so are probably things associated with the afterlife or treasures of royalty and noblemen, while the Anapji finds were gathered from the bottom of a lake, and so are more likely to be everyday items from the period. The lake or pond was part of a pleasure garden attached to the palace of the crown prince, where foreign dignitaries and important people were entertained, so it’s the everyday life of royalty, but it still represents something closer to the ordinary lives of people (and thus social history) than the burial finds. The period also spans several hundred years as the pond was created around 700AD and used until the mid-to late 900s. The artefacts range from toys and horse-wear to small statues and roof tiles and even some iron scissors which are thought to have been used in some superstitious ritual, although – frustratingly – no further information is given about this. I had a lovely time wandering around and imagining in a hall slightly less full of children than the previous one had been. It also made my later visit to Anapji pond all the richer.

After this, via a short walk around some impressive stone water-troughs and well-stones outside, I walked through the Art Hall. I know very little about Buddhism but was still able to appreciate the detail and effort that went into making some of these exquisitely crafted pieces. The displays were also great and a little more appropriate to the art than they had been to the artefacts in the previous two halls.

The guidebooks and the Korean tourism website suggest that you should allow at least an hour to see the museum. I spent just over two hours there and would probably have stayed longer, had it not been for the children. The collection is definitely worth visiting and, in spite of my issues with manner in which things are presented, it made me very happy to be wandering through history again.