Monthly Archives: March 2010

40th Busan International Kite Festival

Adventures, trains and train stations, travelling in Korea, ,

I have a soft spot for kites. In fact, it’s somewhat of a family thing. They’re pretty and fun and watching them is a great way to while away an hour or two. So, I was pleased to discover there would be a kite festival happening in Busan this month. I was even more pleased when I discovered that they’d moved the dates so that it no longer clashed with my trip to Seoul.

I got moving a little later than expected but decided to go anyway, figuring that getting out of town and seeing a new part of Busan would be fun either way. The KTX from Daegu to Busan takes just over an hour and winds through beautiful rivers, hills and farmlands. A cursory search of the internet had suggested that there were two ways to get to Dadaepo Beach for the festival – bus or subway and bus. I chose the latter because I was a little worried about time. I was struck again by the contrast between the Daegu subway, new and shiny and modern, and Busan’s more down-to-earth, slightly run-down version. I bought a day-pass (3500 won) and went down the stairs to the dimly lit and 70s-looking platform. The station was the last on the line (Sinpyeong). The carriage slowly emptied stop by stop until it was just me and a mother and son. I felt the familiar tingle of nervousness at being in a completely unfamiliar place as the train emerged from the subway and we disembarked.

I was still not at my destination but 20 minutes on bus number 2 got me to the Dadaepo Beach stop. I stood on the pavement at an unfamiliar bus stop in an unfamiliar city with no beach and no kites in sight. Nine months in a foreign country is a great way to learn not to panic. The trick, I have discovered, is to pick a direction and start walking. Along the road and around the corner, I spotted a brightly coloured kite fluttering in the distance. I crossed a road and found a policeman directing people and traffic, which seemed a lot of security for a kite festival but what do I know? It made more sense when I noticed a temporary stage set up on a paved square with a sound-check going on. Beyond that, down a hill and along a slightly muddy road, I found the beach.

The number of kites flying above the beach wasn’t huge. This may have been because I arrived rather late – there wasn’t all that much activity around the tents on the beach, either. There were some huge octopus-like kites soaring in the breeze, however. They were beautiful. Blue and pink and multi-coloured giants fluttering above us. In between, smaller kites bobbed in the breeze. Some were birds, some just shapes. My favourite was a full, rigged, pirate-type ship. Some were anchored in the sand, like the big kites. Others were flown by adults or children. I loved looked at them and seeing all the colours and shapes. As I was walking along the beach, looked at them all, someone started flying a 2-stringed, 3-story triangle-shaped kite with two long, long tails. I couldn’t see who was flying it through the scattered people but he or she was good at it. The kite twisted and circled and danced in the sky.

There didn’t seem to be a lot of this type of competitive stunt-flying going on, but there were groups of men standing around who I gathered from the whistles and the tension were involved in competition. It took me ages to figure out what they were doing. The kites they were flying were fairly ordinary looking pale squares, each no bigger than about 50cm square and with a round hole in the centre. It wasn’t until I saw one of these kites flutter down without its string that I realised they were kite-fighting. Anyone who has read The Kite Runner will have some idea of what I’m talking about. The two kite-flyers battle it out as each tries to cut the other person’s string with his line, without getting trapped and his own string cut. It was fascinating (for a while at least) to watch the desperate silent battle high in the air.

On the other side of me, a far younger and more modern crowd were harnessing the wind in a very different way. In the shallow sea-water where the river meets the sea were the kite-surfers. I haven’t seen anyone kite-surfing in ages. There is something about the power of the wind and someone flying across the water under that power that is particularly beautiful. Behind a dark grey layer of cloud the sun was tilting towards the horizon and the light shining on the water silhouetted the surfers and their kites against a silver sea.

I walked along the beach towards the rocky hill at the other end, enjoying the light and the water and the ordinary, precious moments: the man standing on the sea-shore with his little daughter, a Saturday afternoon beach-soccer game, a couple walking along the sand. Against the rocky hill at the end of the beach there is a wooden boardwalk. I climbed the stairs and walked along the boardwalk, enjoying the views. The beach is in a little bay, so there are no real expanses of the open water, but the views are still beautiful.

As 5pm approached, people were starting to pack up and leave, although the kite-fighting matches were still going on. As I walked back towards the road, there was increased activity in the direction of the stage. In the open area down the hill from the stage, I noticed that the single police bus that I’d seen on my way down had been joined by three others. Food stalls had been set up and a crowd was starting to gather. In the open square area, where the stage and chairs were set up, I sat down to change my camera batteries. Once I was sitting down, I saw that there were many more people in the square. To the side, I saw an ambulance parked. People were milling around in front of the stage and being moved back by volunteers in orange vests. I saw men in suits and women in high heels and people wearing blue sashes over their shoulders. There was something about the energy that was so familiar – I could almost feel the adrenaline of eventing coming back to me.

And then I saw a photographer. In Korea, people wandering around with large, expensive-looking cameras are a dime a dozen. Everywhere I go, there seem to be people taking pictures of each other, sometimes in groups and sometimes in amateur photo shoots. This wasn’t one of those. Over one shoulder, he carried a fancy tripod, over the other a particularly large and impressive looking camera. Instead of taking pictures of pretty Korean girls or family snaps of the groups of people, he was walking the area, trying to see the stage from different angles. He obviously knew what he was doing. After looking at every possible angle, he wandered off to the side and had a cigarette. Thinking about it now, I do hope he didn’t notice me watching him but his presence and the way he was acting were a clear sign to me that something important was going on. I decided to stick around and see what happened.

I didn’t try and get a chair, most of which were already full of Korean families, with children running around and mothers pushing prams and grandparents getting settled. I sat off to the side and just watched. A group of people in sleeping bags arrived and walked the open area in front of the stage. Ok, not actual sleeping bags but the kind of puffy long winter coats that make the person look like he or she is wearing a sleeping bag.

Before long, the sound of drums and gongs started in the distance. A group – I assume the same people who had been wearing the sleeping bags – were marching onto the square in a procession, all in traditional outfits. The front person carried a flag and all the others had drums or gongs or cymbals. They wore white with black waistcoats and yellow and blue and red sashes and the strangest white hats that looked as if they were wearing bundles of candy floss on their heads. They processed past the chairs and into the open area in front of the stage and dancing and playing their instruments. In all my time in Korea, one of the things I haven’t managed to see is traditional music and dancing. It was great to find it by accident today. The music was so different. It is strange to think that traditional music using the same instrument (drums) that I’ve known for so long, can be so different to what I’ve known. The dancing was different, too. I’m so glad I saw it.

After the dancing, a swing band played lovely music. Just as they started, the sound system distorted badly and two people, obviously the ones running the show, tore across the square to fix it. I had a moment of nostalgia for my days of running events. I listened to the band for a while but the evening was getting colder and I had a long trip home and increasing activity of the police and volunteers and people in suits suggested that the evening may shift quite rapidly to speeches and other things in Korean, so I headed back to the bus stop. The bus took ages to get back to the station, but I had a lovely time looked at all the things in the city. I may not have been paying that much attention because I definitely thought I saw a chicken shop called ‘Syndrome’, a bakery named ‘Alientots’ and a bus stop for the ‘Korea Cast-Iron Pig Refinery’. Also a sign for one of the suburbs (Gu) of Busan which has taken the tradition of each place acquiring a trite and often inappropriate adjective (‘Dynamic Busan’, ‘Colourful Daegu’) to another level, calling itself ‘Nice Jung-gu’.

A trip back on a particularly smart-looking KTX and I reached Daegu feeling tired and hungry after the sea air but still managed to stop and pick up a lemon meringue cupcake before taking the bus home. Kites, beach, silver-sea and traditional dancers – a good afternoon. Oh, and the cupcake was delicious.

Return to Seoul: traditional village

Adventures, trains and train stations, travelling in Korea, ,

After an evening in Itaewon, we woke up slowly on Sunday morning; slow but insensibly cheered by the appearance of the sun. I used to find it strange that people from places like the UK talked so very much about the weather. These days I do it myself. I still think it I a bit odd, but the weather, and particularly the lack of sun, is such a big part of life here in Korea (especially in Daegu). It also mean that a little sunshine is enough to make any day better, even if it’s still fairly chilly.

We set off to do some more exploring. We caught the bus to the city centre area, getting off at the Sejeong Performing Arts Centre. This central area of Seoul is more open than most of the built-up areas because there are open, ‘square’-style areas. There are also magnificent (and sometimes bizarre) statues to the leading figures of the country, alongside luxury hotels and financial centre buildings. It really does feel like a modern city centre capable of competing with any other city centre in the world. From here, we caught a cab to Namsangol Traditional Korean Village.

The concept of a traditional or folk village bothers some people because they feel like it’s all fake and just created to get money out of tourists. Apart from the fact that most of the folk villages in Korea are free and set up to educate Koreans as well as foreigners, I quite like the attempt to represent the everyday lives of people who lived in a very different time. I suppose the attempt to represent social history accurately appeals to me. It’s probably also particularly important in a country that has modernised so quickly it would be very easy for the old ways to be lost forever within a generation or two.

Namsangol Traditional Village is not in fact a recreation of a village that existed or a ‘typical’, hypothetical village that could have existed. Instead, five residences (including houses and outhouses and sometimes servants quarters) were all relocated and restored here so that different social strata are represented and also that the homes represented are those of real historical figures. It is a different approach. I haven’t seen enough of the other approach to be able to compare. For now, it was just great to be able to get a closer look at life during the Joseon period through the lens of these five households.

The first house was that of Sunjeong Hyo Empress Yun’s parents. This is the home where the future Empress lived until she was 13, when she was designated the wife of the crown prince. It’s always a jolt to be reminded of how young marriages happened in the past, and even in the not so distant past : this was in 1906. The house was beautiful. Each room was set up with beautiful old furniture, brightly coloured bedding and polished metal. I particularly loved the wood – the doors, the cupboards, the tables. I’ve always loved old wood but wood is particularly important in Korean homes because it is reasonably plentiful on the peninsula.

The second house was a residence built for the 27th king of Joseon by his father in law so that he could use it when he came to pay respects to his ancestors (as is part of the Korean tradition). The father in law built it when his daughter was designated a second wife of this king. Around the back of the house, as well as what looked like an outdoor oven, what looked like a Teepee made of straw. When we looked closer, there were three of the traditional brown, shiny storage pots (what I tend to refer to as kimchi pots) buried up to their necks inside the hut. Of course, there were no information boards to explain why. We’ll have to keep wondering.

The other three houses were those of the husband of a princess, a military commander and a regents chief carpenter. In each, we saw bedrooms with beautiful wooden dressers with bedrolls stacked on top of them, clothing hanging on bars from the walls and stunning old lamps. The floors of Korean houses are raised so that there is space for the heating fires under the floors. These kitchens, however were deeper, to provide access to the fires of what looked a lot like aga-style stoves (except less fancy). Large black pots and kettles in unfamiliar shapes sat on stove plates. Garlic and dried plants hung on the walls. Piles of wood waited to add to the heat. Unexpectedly (at least for me), what looked like half-calabashes hung on the walls. In a bedroom, we saw rolled up straw mats next to a high table with ‘ancestor chair’ and the small tables used by those sitting on the floor on cushions all hung on the wall for storage. Definitely an original way to store tables you don’t know what to do with.

In several of the houses, there was a real person dressed in traditional clothing working on some aspect of traditional art and willing, for a small fee, to show everyone else their traditional writing, traditional music and traditional clothing. We didn’t stop to try any of these out but we did enjoy the addition of live models to the quiet old houses. In the central area, we walked past families playing traditional games, several of which I’d seen at the Daegu museum and several of which also reminded me forcibly of some of the traditional games back home. There was even a game where children run along with a bent piece of wire (which is a specially made tool) and a metal ring, trying to keep the ring going. Watching them, I couldn’t help but picture African children in tatty clothes with a stick and an old tyre running along dusty roads. I suppose some things really are universal.

We wandered the park area for a while and also saw the Seoul time capsule. The time capsule, containing 600 items representing current life in Seoul, was buried in 1994 to mark the 600th anniversary of Seoul as the capital of Korea. It is rather ambitiously designed to be opened in 400 years time on the 1000th anniversary of the same. Unfortunately, it’s not particularly impressive to look at and the idea that Seoul will still be Seoul and still be capital in another 400 years seems a little optimistic to me, but perhaps that has to do with my South African view of how long things last. The rest of the part was prettier and we particularly enjoyed the combination of pine trees and water features. We also found a little gazebo-type place made of wood that reminded me so, so strongly of church pews in far-flung farm churches in the Eastern Cape in South Africa. I stopped to take some pictures and run my fingers along the smooth wood surface. Strange associations from two Eastern Cape girls 10 000 miles from home.

By this stage, we were a little cold and definitely hunger so we found a Chinese restaurant – my friend  has a very useful knack for finding Chinese restaurants. After a late lunch of shrimp-fried rice, fried meat dumplings and the most delicious pork and vegetable spring rolls, my second trip to Seoul was almost over and after we chatted for a bit more before I headed off to the station.

The final little bit of my trip took an unexpected turn. The economy tickets for the next KTX to Daegu were sold out. I debated waiting for a later train but I was fairly tired and not in the mood for sitting around so I took a chance and checked the price of a first class ticket. It was definitely more expensive but not completely unreasonable and I figured I could chalk it up to experiencing something new, so I bought one. The KTX train is a fairly luxurious train experience. It feels a lot – from the design of the stations to the seats – like a modern plane, except with more leg-room. There are even ‘cabin attendants’ who could very easily work on planes. Given this, I should probably not have been surprised that the first class is very much like a the first class on a plane. The seats are huge, with ridiculous amounts of space to stretch out and relax. There are only three seats in each row – one on the left and two on the right. Next to me was a huge window with blinds and curtains to block out whatever I didn’t wish to see. Of course, it was evening so there wasn’t much to see anyway, especially with the lights within the train reflecting on the windows. The amount of space was excessive and I wouldn’t have paid the extra if it hadn’t been for getting home earlier, but it was nice to enjoy a little luxury for a bit.

Return to Seoul: a palace, a museum, sushi and cupcakes

Adventures, Seoul, trains and train stations, travelling in Korea, ,

I have made the most fantastic discovery. On my way to Seoul this weekend, I had a 20 minute wait at the Dong-Daegu Train Station (because the train I’d been aiming for was sold out), so I went in search of something to wake me up and found not only decent coffee but also a cupcake shop. The cupcake craze which has taken a lot of Western cities by storm over the past few years didn’t ever really make it to South Africa, but I have always found cupcakes irresistible. This is the first time I have seen a single cupcake in my almost 9 months in Korea, so there was absolutely no way I was going to walk away. I bought four cupcakes (two black forest and two dark chocolate) and was given an extra one as ‘service’ – something free that the shop-owner gives you because you bought a lot. So breakfast before I got on the high-speed train was strong, dark coffee and a decadent chocolate cupcake. Sometimes living in Korea is not very Korean.

Just over an hour and a half later, I arrived in Seoul. Arriving in Seoul is always a reminder that wherever I have come from is a tiny village compared to this huge urban sprawl. When combined with Incheon – they’re so close they share a subway system – Korea’s capital has a population of over 20 million and is the second largest metropolitan area in the world. It’s a little intimidating to stare out of the train window as you enter the dense mass of skyscrapers and traffic and roads but it’s also a little exhilarating to leave the small city I live in and visit the bright lights for a couple of days.

I met up at the station with the friend I was visiting and, after coffee and a bit of catching up, we headed off to visit Gyeongbokgung (Gyeongbok Palace), the largest of the five grand palaces in Seoul. The construction of Gyeongbokgung was ordered in 1394 and it was the royal headquarters, delightfully called the “Palace of Shining Happiness”, for over 200 years, according to my guide book. It’s subsequent fate tells the story of Korea’s history over the rest of the millennium. The palace grounds once held nearly 400 buildings but most were burnt down when the Japanese invaded in the 1590s. It was finally rebuilt after the coronation of child-king Gojong in 1863. Soon afterwards, the Japanese invaded again. In 1895, one of the wives of this king who was considered an obstacle to the Japanese, was assassinated in the palace grounds, a precursor to the full-scale Japanese invasion of 1910. During the Japanese occupation of Korea, this palace, formerly a symbol of Korean pride and national identity, was used by the Japanese for police interrogation and torture and they moved things around, like palace gates and built additional structures with, seemingly, the express purpose of destroying the symbolic form of the palace. The Japanese Governor-General’s residence was also within the palace complex. After the Japanese finally left with the end of the Second World War, parts of the palace were further destroyed during the Korean War. These days the palace complex has largely been rebuilt, with work still going on to recreate the rest, and is a monument to life in the Joseon dynasty, including various representations of traditional life and a great museum.

The last time I was in Seoul we visited Changdeokgung, which is the only palace to have been granted UNESCO World Heritage status. It was fascinating but the thing about World Heritage sites is that the efforts to preserve sometimes limit the experiences of visitors. At Changdeokgung we were only allowed to walk around with a tour-group and it was all a little sterile. From the moment we arrived, Gyeongbokgung was anything but. We stopped to take a look at a particularly beautiful ancient stone stupa (1085)  within the grounds but outside the actual palace complex. As we came around the corner and walked towards the main gate, a group of palace guards in bright red uniforms with black hats and weapons marched past us to the beat of their military drummers. There is something a little surreal about military guards in uniforms belonging to another millennium marching past you as you look up at the gate of a grand palace. The entrance was also guarded by guards in various uniforms, some with flags and others with shields and long sticks. Their colours, from bright red to purple and sky-blue, and the varied flags fluttering in the chilly wind, complemented the colours of the palace gate and the huge painted drum outside, as we got our tickets (3000 won) and wound our way between them and into the actual complex.

Once inside the palace complex, we found ourselves looking up at a large central hall – the throne room or Geungjeongjeon. You can’t walk into the throne room but looking through the open doors on the sides and in the front, you can see the elaborate, detailed (and shiny) throne with the royal screen behind it. The throne is on a raised dais under an awesome ceiling in amazing colours and designs. Around the dais, in the spacious room, are lamps and jars and wooden pillars. The room is set up as it would have been at the time. In front of the throne are two narrow tables with cushions around them, where the scribes would have sat. These scribes, according to a guide we overheard explaining to another group of foreigners, would have sat there throughout the days, recording everything the king did or said to create the record of the kings life that was sealed until after his death: a memoir captured moment by moment as the days of his reign went by.

Beyond the main hall, we wandered through the many buildings of the complex, each restored and carefully maintained, some, including the residence of the queen, with furnishings set up to show how things would have looked. Unlike the previous palace, here we were able to wander everywhere we wanted on our own. One of the joys of Korean palaces is just being able to spend time wandering around and taking in the incredible detail in the roofs and roof tiles, as well as the symmetry and elegance of the way buildings are spaced out. These palaces are not like Western buildings where everything is clustered under rooves. Here, the courtyards form an important part of the design with passages around the edges and buildings set apart in the centre of courtyards. The courtyards are like white space on a printed page, adding to the drama of each hall or building because they create an open space around them. Sometimes water is used to do the same thing. We looked across a lake at the pavilion where festivities and events would presumably have been held (Gyeonghoeru or Royal Banquet Pavilion). The people who lived banqueted here are long since gone but the water still laps at the small island where the pavilion stands and fish still swim through the water. Behind us, I noticed some of the chimneys that would have carried away the smoke from the fires used to heat the rooms. According to my guidebook, the water in the lake was used not only to add beauty to the banquet hall, but also to put out the fires that inevitably accompanied the use of underfloor wood or charcoal fires (particularly in buildings constructed using rather a lot of wood).

Further on, we looked up the steps to multi-story temple-style building, longing to be able to climb the steps – something that is not allowed in order to preserve the old construction. It is particularly beautiful and strikingly Asian. Alongside this, a few buildings have been set up as models of life in the early 20th century, with the house of a scribe and shop of a traditional healer, a comic book shop, a restaurant and (of course) a beauty salon, among others. There is little explanation but the setting is obvious from things like radios and movie posters (James Dean, among others) scattered around the place. We were intrigued by the information outside a model of a little shop selling shoes and the tradition wide-brimmed, black hats, to read that the hats are called ‘gat’ (which only those who speak Afrikaans will understand).

From there we went into the museum underneath the multi-story temple-y type building. I have mentioned before, I love museums, but am often frustrated by the sterile approach to history some museums employ, presenting artefacts as individual finds rather than part of the narratives of the history of the time. This museum, the National Folk Museum of Korea, took a different approach and instead of simply presenting historical things, tried to recreate and explain the context. The exhibitions range from the ‘Life Cycles of Koreans’ gallery, which attempts to present traditional life experiences from the bridal bed and birth, first birthdays and childhood to weddings, sports, war, the way different classes lived and old age – complete with traditional games – and death. Another area presents different aspects of traditional life. At one point, there is a truly magnificent funeral bier, ornately decorated with figures of birds and animals and people and painted in bright greens and reds, blues and yellows and oranges. The information board said that it was carried by between 12 and 24 pallbearers. It certainly looked large enough and heavy enough to require that many men. There was also a bridal palanquin – a little like a covered sedan chair meant to be carried by four men and used to transport the bride to the home of her husband after the wedding ceremony. There were also displays of traditional farming, fishing and other ordinary living activities, including what looked for all the world like a scarecrow and turned out to be a raincoat made of bundles of straw. It is impossible to detail all the things we saw but it was a great museum, far more modern, of course, than the Gyeongju museum (because this one focuses mainly on the much later Joseon period, rather than the Silla dynasty) but also focussing on social history, rather than royalty or archaeological finds.

This is the second time I have visited a palace on a misty, wintry day but it adds to, rather than detracts from the experience. Before we left, we went to another small lake where a much smaller, but even more beautiful, pavilion stands on a tiny island, connected to the outside world by a narrow wooden bridge. In the background, the mountain peaks were shrouded in mist and the grey day gave an eerie timelessness to the bare trees set around the gardens within the complex walls. At one point, as we walked back towards the main gate, we came through a doorway into a courtyard and we were the only people there. I had a sudden moment, in the dusky light of the misty, overcast day, picturing what it must have been like waking through these same grounds on the same kind of late-winter day hundreds of years ago at the height of the Joseon dynasty.

After leaving the Gyeongbok complex, we found – after a little trial and error – a great little Japanese restaurant. I’ve been craving sushi for ages so it was a great find. Our fairly inexpensive meal included, as is so often the case here, several different courses. We started with sweet pumpkin soup and then a cabbage salad with a yummy sauce, a variety of sushi and sashimi, including prawn (wow) and salmon (yay), miso soup and prawn and sweet potato tempura with a sweetish sauce with a hint of ginger, all accompanied by tea and the usual side dishes (including kimchi because it’s not a meal in Korea unless there is kimchi). We were seated at a table in a private room, with sliding doors pulled shut around us by the woman serving us, opening only as she brought us yet more food. We sat and chatted as we savoured the gorgeous meal and sipped warm tea. It was almost difficult to leave the warm, cosy restaurant and go back out into the chilly afternoon.